Paris, France

Life on Film



This blog post is a bit different than I typically post, however, I wanted to create a reference for myself and other film lovers. This will be where I show test images from the different film stocks I have tried. I will list the lighting conditions and the post-process under each image for easy reference. I you like this post I will do more like them. 

35MM FILMS

COLOR NEGATIVE FILM

FILMSTOCK: Kodak Porta 400 -24 exp
LIGHTING: Strobe Flash Light - Indoors
POST-PROCESS: C41, Lab Scan, No retouch
CAMERA: Ricoh 500 RF



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FILMSTOCK: Kodak Gold 200 -36 exp
LIGHTING: Natural Light- Ambient Sun - Outdoors
POST-PROCESS: C41, Epson V800 Scan, No retouch
CAMERA: Ricoh 500 RF


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FILMSTOCK: Kodak Gold 200 -36 exp
LIGHTING: Natural Light- Direct Sun - Indoors
POST-PROCESS: C41, Epson V800 Scan, Photoshop retouch
CAMERA: Ricoh 500 RF


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FILMSTOCK: Kodak Gold 200 -36 exp
LIGHTING: Natural Light- Ambient Sun - Indoors
POST-PROCESS: C41, Epson V800 Scan, Photoshop retouch
CAMERA: Ricoh 500 RF

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FILMSTOCK: Kono Galaxy 200 -24 exp
LIGHTING: Natural Light - Overcast- Outdoors
POST-PROCESS: C41, Lab scan, Photoshop retouch
CAMERA: Ricoh 500 RF
( I do believe the lab tried to color correct these negatives, due to the "light leaks". I want to shoot another roll than I scan at home to be sure of the nature of this film)

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FILMSTOCK: Kodak Ektar 100 -36 exp
LIGHTING: Natural Light- Overcast - Outdoors
POST-PROCESS: C41, Lab Scan, No retouch
CAMERA: Ricoh 500 RF


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FILMSTOCK: Kodak Ektar 100 -36 exp
LIGHTING: Natural Light- Direct Sun - Outdoors
POST-PROCESS: C41, Lab Scan, No retouch
CAMERA: Ricoh 500 RF 



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120MM FILMS

COLOR NEGATIVE FILM

FILMSTOCK: Kodak Porta 160 -14 exp
LIGHTING: Natural Light- Direct Sun- Indoors
POST-PROCESS: C41, Epson V800 Scan, Photoshop retouch
CAMERA: Mamiya M645 


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FILMSTOCK: Kodak Ektar 100 -14 exp
LIGHTING: Natural Light- Direct Sun- Indoors
POST-PROCESS: C41, Epson V800 Scan, Photoshop retouch
CAMERA: Mamiya M645 


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FILMSTOCK: Kodak Ektar 100 -14 exp
LIGHTING: Natural Light- Ambient Sun- Indoors
POST-PROCESS: C41, Epson V800 Scan, Photoshop retouch
CAMERA: Mamiya M645 


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FILMSTOCK: Kodak Ektar 100 -12 exp
LIGHTING: Natural Light - Overcast- Outdoors
POST-PROCESS: C41, Lab scan, Photoshop retouch
CAMERA: Hasselblad 501 CM


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FILMSTOCK: Kodak Ektar 100 -12 exp
LIGHTING: Natural Light - Overcast- Indoors
POST-PROCESS: C41, Epson V800 Scan, No retouch
CAMERA: Hasselblad 501 CM


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35MM FILMS

BLACK & WHITE NEGATIVE FILM

FILMSTOCK: Ilford Delta 100 -24 exp
LIGHTING: Strobe Flash Light- Indoors
POST-PROCESS: Black & White Process, Lab Scan, Photoshop retouch
CAMERA: Ricoh 500 RF


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FILMSTOCK: Ilford Delta 400 -24 exp
LIGHTING: Natural Light- Direct Sun- Outdoors
POST-PROCESS: Black & White Process, Epson V800 Scan, No retouch
CAMERA: Ricoh 500 RF


120MM FILMS

BLACK & WHITE NEGATIVE FILM

FILMSTOCK: Ilford Delta 100 -14 exp
LIGHTING: Natural Light- Overcast - Outdoors
POST-PROCESS: Black & White Process, Epson V800 Scan, No retouch
CAMERA: Mamiya M645 


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FILMSTOCK: Washi W 25 -14 exp - Paper Film
LIGHTING: Natural Light- Ambient Light - Indoors
POST-PROCESS: Paper Developer Only, Epson V800 Scan, No retouch
CAMERA: Mamiya M645 






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By Kandice